Eastbound

Starred review from October 24, 2022
First published in France in 2012, de Kerangal’s impeccable novel (after The Cook) follows two strangers on the Trans-Siberian Railway in search of political and emotional freedom. More than one hundred army conscripts from Moscow are crammed on the train like a “mass of squid,” destination unknown. Though set in contemporary Russia, the vibe is uncompromisingly Soviet, a “bored resignation” clouding over the crowd. Aliocha, 20, fears he’s headed to Siberia, and is bullied and knocked around by his fellow soldiers. He decides to desert, and on his way to the first-class compartment he has a noirish encounter with a Frenchwoman named Helene, who boarded the train to get away from her Russian lover, a toxic bureaucrat. Neither speaks the other’s language, but that doesn’t deter them during several intense nights as Aliocha and Helene bond over their respective feelings about the men running a tight-fisted military regime. Disguises, hidden spaces for overhead luggage, and a spectacular sighting of the country’s “pearl,” Lake Baikal, add to Aliocha and Helene’s series of adventures as they speed toward Vladivostok and their hopeful independence. De Kerangal’s triumphant achievement is powered by mellifluous prose with a rhythm as steady as the train. Readers are in for a dazzling literary ride.

January 1, 2023
Before the taut drama of The Heart (2016), before the resplendent lushness of Painting Time (2021), French novelist de Kerangal created this breathless tale of a colliding encounter between strangers intent on escape on a train surging across Siberia. Aliocha, a reluctant conscript into the Russian army determined to desert, doesn't speak French. H�l�ne, fleeing her prominent, powerful lover, doesn't speak Russian. Aliocha wants her help; their collusion puts them both in danger. They communicate cautiously, then urgently with gestures, eyes, posture, and touch. In this slim, sleek tale that hurries along at the speeding train's clip, de Kerangal draws on classic train capers while also poetically, ravishingly conveying the immensity and harsh beauty of this haunted land of exile and torment. For Aliocha, each stop offers risk and opportunity while H�l�ne mulls over a "jumbled montage" of Russian literature, dance, politics, sports, and film. With each new novel, de Kerangal secures her place as a writer of stunning, incisive, enrapturing fiction; it's a boon to have this sensuous, soulful, and suspenseful earlier work so gorgeously translated into English by Jessica Moore.

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