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The Corrections

A BBC Radio 4 full-cast dramatisation

Audiobook
1 of 1 copy available
1 of 1 copy available

In 2006, Bret Easton Ellis declared the novel "one of the three great books of my generation."
This dramatisation of Jonathan Franzen's acclaimed, epic, award-winning novel revolves around the troubles of an elderly Midwestern couple and their three adult children, tracing their lives from the mid-20th century to "one last Christmas" together near the turn of the millennium.
A family saga, that sits against the backdrop of this century's changing face of America. The novel was published 10 days before 9/11 but is widely considered an observation of what happened to the American psyche after 9/11.
It traces American societies, changing attitudes and standing on the world stage through the eyes of the Lambert's three children: Gary, a banker in Philadelphia who's greed is determined to make his parents sell their Midwest property; Chip, a struggling professor who leaves his life to pursue being a writer in New York City; and Denise, who has escaped a disastrous marriage and had an equally disastrous affair.
In the finale; the final Christmas together, can they settle their differences, bridge gaps and make the changes they need to survive?
The novel won the 2001 National Book Award for Fiction and the 2002 James Tait Black Memorial Prize, and was a finalist for the 2002 Pulitzer Prize.
In 2005, The Corrections was included in TIME magazine's list of the 100 best English-language novels since 1923.
Adapted by Marcy Kahan for BBC Radio 4, directed by Emma Harding and starring Richard Schiff (The West Wing), Maggie Steed (The Imaginarium of Doctor Parnassus), Colin Stinton (Rush, The Bourne Ultimatum) and Julian Rhind-Tutt (Lucy, Rush, Notting Hill).
Full Cast List:
Narrator - Richard Schiff
Enid Lambert - Maggie Steed
Alfred Lambert - Colin Stinton
Gary Lambert - Richard Laing
Chip Lambert - Julian Rhind-Tutt
Denise Lambert - Rosyln Hill
Julia Vrais - Kelly Burke
Eden Procuro - Elaine Claxton
Gitanas Misevicius - Sam Dale
Melissa Paquette - Bettrys Jones
Caroline Lambert - Jane Slavin
Caleb Lambert - Adam Thomas Wright
Jonah Lambert - Sean McCrystal
First Aired on BBC Radio 4 Extra on 10th and 11th January 2015
©2021 BBC Studios Distribution Ltd (P)2021 BBC Studios Distribution Ltd

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    • AudioFile Magazine
      Things are a mess in the Lambert family. Alfred, the father, is struggling with dementia; Enid, the mother, is trying to cope; and their three grown children are finding that life is not bringing them what they had planned. When Enid brings them all together for one last family Christmas, they lurch toward disaster and are redeemed. George Guidall narrates this bestselling National Book Award winner with a depth of understanding that sustains the long, multifaceted story. With his voice flattened slightly to match the Midwestern characters, he elaborates these personalities. Alfred's slow speech and tone of surprise when his mind tricks him yet again. Enid's mix of desperation and encouragement as she tries to persuade life to behave. The self-involved voices of the adult, yet not grown-up, children. A wonderful performance. A.C.S. (c) AudioFile 2002, Portland, Maine
    • Publisher's Weekly

      September 1, 2001
      If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.) Forecast: Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour. Copyright 1999 Cahners Business Information.

    • AudioFile Magazine
      The author was profiled admiringly in THE NEW YORK TIMES MAGAZINE, the novel chosen by Oprah. The audio team at Simon & Schuster presents this bestseller brilliantly. Dylan Baker acts deftly, playing every part--male and female, young and old--superbly. The sound is excellent; the abridgment leaves the narrative thread intact. Franzen is a NEW YORKER staffer, and this is a slice of life, albeit a thick slice, the pathology report on two generations of an American family. The text is studded with prose baubles. Two women working in a kitchen sound "like a large bee and a smaller bee trapped behind a window screen." This is serious fiction, meant to delineate our moral agonies. Expect to be transported, but don't expect to escape. B.H.C. Winner of AudioFile Earphones Award, 2002 Audie Award Finalist (c) AudioFile 2001, Portland, Maine
    • Publisher's Weekly

      Starred review from July 16, 2001
      If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City
      (1988) and Strong Motion
      (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family—Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on larger social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.–Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast:Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication,
      The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.

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