Little Fires Everywhere

Starred review from July 17, 2017
This novel from Ng (Everything I Never Told You) is both an intricate and captivating portrait of an eerily perfect suburban town with its dark undertones not-quite-hidden from view and a powerful and suspenseful novel about motherhood. When the eccentric and itinerant artist Mia Warren and her 15-year-old daughter, Pearl, move into a rental house in Shaker Heights, Ohio, one summer, neither they nor their more conventional, affluent landlords, the Richardsons, have any reason to anticipate how dangerously enmeshed the two families will become. Before long, Pearl, enthralled by her first shot at a “normal” life, is spending every day with three of the four Richardson children, Lexie, Moody, and Trip, finding a best friend, a suitor, and a lover in turn. Meanwhile, Isabelle, the youngest Richardson teenager, starts heading over to see Mia, offering to work as her assistant but really looking for an escape. As both Mrs. Richardson and Mia Warren overstep their boundaries, Ng explores the complexities of adoption, surrogacy, abortion, privacy, and class, questioning all the while who earns, who claims, and who loses the right to be called a mother. This is an impressive accomplishment. Agent: Julie Barer, the Book Group.

Starred review from October 30, 2017
Set in the late 1990s in the town of Shaker Heights, Ohio, the audio edition of Ng’s novel begins with a fire in the home of the Richardsons, an affluent, apparently happy family. What follows are flashbacks to the moments of tension—the metaphorical “little fires” of the title that lead a member of the family to set the blaze. The drama begins with the arrival of unconventional visual artist and single mother Mia Warren, who rents the Richardsons’ guest house with her 15-year-old daughter, Pearl. The Richardson kids quickly embrace Pearl, while their journalist mother, Elena, offers Mia the opportunity to do light housework to help pay the bills. But when Mia starts to mentor one of her daughters, Elena is miffed, and her annoyance goes nuclear after Mia interferes in the adoption process of one of the Richardsons’ closest friends, by encouraging the birth mother, a Chinese immigrant, to rethink her plans. Actress Lim gives a dramatic, vivacious performance and catches every nuance of its probe of mother love and the widening chasm between the privileged and the working class. Lim is particularly effective in her presentation of Elena as both villain and victim and of Mia as a seemingly wise free spirit who’s not exactly mother of the year. A Penguin Press hardcover.