Lady of the Forest

August 30, 1993
Roberson's rendition of the legend of Robin Hood and Maid Marian is diverting and delightful.

July 1, 1992
Though with two fantasy series under her belt, Roberson has not yet made a big mark with the fiction-buying public. "Lady of the Forest" may very well change that situation--and let's hope it does. Roberson refers to her synthesis of the Robin Hood legends as a prequel--her explanation of why, in a caste-ridden society, such disparate individuals as an earl's son, a knight's daughter, a shepherd, a murderer, a minstrel, and a simpleton banded together for a common goal, and why a father, a sheriff, his seneschal, and a king's brother vehemently opposed them. As anthropology, psychology, and fiction, Roberson's explanation is captivating. Remaining true to thirteenth-century English conventions and characters, she ushers the reader authentically and dramatically into times past, exploiting a rich and evocative language--would that Errol Flynn and Kevin Kostner had aimed so high! An imaginative and riveting novel, impossible to put down and ironically sad to finish. The considerable ad campaign will prompt interest, and librarians should prepare themselves accordingly. ((Reviewed July 1992))(Reprinted with permission of Booklist, copyright 1992, American Library Association.)

August 31, 1992
A beautiful girl waits, angry and afraid, surrounded by imprisoning walls and men who desire her both to satisfy themselves and to further their ambitions. A powerful man with dreams of preferment callously manipulates those around him to gain his ends and finally stoops even to treason. A young lord, scarred by war in body and mind, attempts to deal with the waking nightmares that wall him off from others and from himself. A group of once-upstanding men become outlaws in a corrupt world where their very nationality can be seen as a crime. These characters may not sound like Maid Marian, the Sheriff of Nottingham, Robin Hood and the Merry Men, but they are. Lively storytelling and pacing help make Roberson's impressively mature first novel an enjoyable, almost creditable recasting of the Robin Hood legend as historical fiction. There are flaws. Some of the characters' actions seem false; given their backgrounds, Robert of Locksly and Marian FitzWalter are unlikely to have been as naive as Roberson depicts them. She also has a few annoying stylistic ties: faces are scrubbed, looks are disreputable and appearance is dishabille far too often. But the romance works beautifully, capturing in the tale of Robin and Marian the terrifying bliss of first love. A diverting, delightful book from a most promising talent. 50,000 first painting; $5,000 ad/promo; author tour.

April 3, 1995
The legend of Robin Hood and Maid Marion is retold in Roberson's story.