With the 1962 World Cup in Chile as the focal point, Labbé builds a narrative that is at once a story of intrigue and action and an exploration of ideas that animate the late-capitalist discourse of our current moment (e.g. class warfare, feminism, political representation, and social justice). What emerges is a novel that enacts—in form and content—the notion that art can only transcend the cages of tradition and convention, of colonialism and global capitalism, of systemic exploitation and extractive politics through collective creative action.
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