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Starred review from May 20, 2024
Brodesser-Akner (Fleishman Is in Trouble) easily avoids the sophomore slump with another incisive and witty portrait of New York Jewish life. In 1980, wealthy polystyrene manufacturer Carl Fletcher was kidnapped from his Long Island home and held for a week until his wife, Ruth, paid the $250,000 ransom. Now, 40 years later, he’s still traumatized, and is dutifully tended to by the controlling but loyal Ruth. Their three children also continue to live under the shadow of the kidnapping. There’s Beamer, a moderately successful screenwriter with a secret drug and BDSM addiction; Nathan, a lawyer who’s too timid for the partner track at his firm; and Jenny, a union organizer whose chief pleasure in life is pissing off her mother. Beamer is excited about an idea for a new project starring Mandy Patinkin when Jenny texts with troubling news: due to a series of financial reversals, the family fortune they’ve all depended on is gone. How the Fletchers respond to the crisis and finally put their shared past to rest forms the core of this entertaining saga. Brodesser-Akner’s latest combines the smarts of Sarah Silverman’s stand-up, the polymath verisimilitude of Tom Wolfe’s novels, and the Jewish soul of Sholem Aleichem’s stories. This is a comedic feast. Agent: Sloan Harris, CAA.
Starred review from December 1, 2024
Listeners may never have met anyone like the Fletchers, but they'll recognize something in them that's both endearing and maddening. This is the art of Brodesser-Akner's (Fleishman Is in Trouble) family epic. Emphasis on the "epic"--the Fletchers are ultra-rich, ultra-anxious, and falling apart. The book starts with the kidnapping of Carl Fletcher, whose family money comes from a Styrofoam business. His wife, Ruth, doesn't bat an eye at withdrawing $250,000 for the ransom, and also doesn't hesitate to drag her toddler son along for the ride. What follows is the trickle-down effect of Carl's kidnapping (and the family fortune) on the adult Fletcher children years later: Nathan is so worried about his family's safety that he can't stop buying insurance, Beamer (once a Hollywood golden boy) needs the money to maintain his image, and Jenny despises the money so much that she gives it all away. Narrated deftly by Edoardo Ballerini, this is a compelling listen rife with anxiety. It is social satire at its darkest; the laughs are genuine, but there is also dread as the money starts to run out. The Fletchers make so many bad choices that the sense of their impending doom never quite dissipates, and Ballerini ably conveys the intense emotion and visceral stress that drive the plot. VERDICT A great listen that might compel audiences to take a break and gather a deep breath before diving back in.--Katy Hite
Copyright 2024 Library Journal, LLC Used with permission.
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