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November 2, 2009
Griffiths's serviceable first mystery introduces archeologist Ruth Galloway, who leads a quiet life in a remote region of Norfolk, England, known as the Saltmarsh. When Det. Chief Insp. Harry Nelson asks for her expertise in identifying human remains found in the marsh, he's disappointed when Ruth determines they date to the Iron Age. Harry, who's been haunted for 10 years by the kidnapping of five-year-old Lucy Downey, hoped the bones could bring closure to the girl's family. Drawn into the investigation, Ruth delves deeper into Lucy's disappearance and studies the letters Harry has received over the years, presumably from the kidnapper. When another young girl goes missing, Ruth and Harry fear the cycle has begun again. With her brittle exterior and general distaste for human companionship, Ruth is a difficult heroine with whom to empathize, but the novel's archeological details and the unsettling denouement go far in making up for her prickly character.
November 1, 2010
When a child's headless skeleton turns up during an archeological dig in Griffiths's compelling second Ruth Galloway mystery (after 2010's The Crossing Places), Ruth's determination that the bones are of recent origin spurs her special friend, Det. Chief Insp. Harry Nelson, to investigate the Catholic orphanage run by Fr. Patrick Hennessey that once occupied the Norfolk, England, site. Two children disappeared from the orphanage in 1973, though Ruth's study of the bones suggests that the murderer might have ties not to the orphanage but to the site's Roman's origins. Complicating matters are her pregnancy—the result of a one-night stand with Nelson in Crossing—and an escalating series of dangerous pranks meant to scare her off the case. Griffiths nimbly weaves the mythological aspects of her story—particularly the Roman god Janus, who represents doorways as well as beginnings and endings—with the complicated life of her feisty heroine.
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