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The Boy

ebook
1 of 1 copy available
1 of 1 copy available

Winner of the prestigious Prix Femina, The Boy is an expansive and entrancing historical novel that follows a nearly feral child from the French countryside as he joins society and plunges into the torrid events of the first half of the 20th century.

The boy does not speak. The boy has no name. The boy, raised half-wild in the forests of southern France, sets out alone into the wilderness and the greater world beyond. Without experience of another person aside from his mother, the boy must learn what it is to be human, to exist among people, and to live beyond simple survival.

As this wild and naive child attempts to join civilization, he encounters earthquakes and car crashes, ogres and artists, and, eventually, all-encompassing love and an inescapable war. His adventures take him around the world and through history on a mesmerizing journey, rich with unforgettable characters. A hamlet of farmers fears he's a werewolf, but eventually raise him as one of their own. A circus performer who toured the world as a sideshow introduces the boy to showmanship and sanitation. And a chance encounter with an older woman exposes him to music and the sensuous pleasures of life. The boy becomes a guide whose innocence exposes society's wonder, brutality, absurdity, and magic.

Beginning in 1908 and spanning three decades, The Boy is as an emotionally and historically rich exploration of family, passion, and war from one of France's most acclaimed and bestselling authors.

Praise for The Boy:

"This book is a grand epic, a magnificent story that resurrects the myth of the wild child that discovers civilization. It's a great novel of learning, an allegory of the savaging of men by war."

—Mona Ozouf, President of the Femina Prize

"You'll be stunned by this novel... Marcus Malte is clearly an astonishing author, oscillating between poetry, mystery, and epic, he has the ability to surprise and it's a delight to read."

—Alexandra Schwartzbrod, Libération

"Marcus Malte has both nerve and well-placed ambition. His writing never stops evolving according to the circumstances of the novel, sometimes poetic and adept, sometimes biting and violent. The author opens up a thousand paths and never closes them off as he discusses the chaos of the world and the frightening nature of humanity."

—Christine Ferniot, Lire

"You'll go from laughter to tears in this masterful account of the discovery of the world's trials."

—Yves Viollier, La Vie

"Without ever speaking but with charisma and genuineness, the boy inevitably touches everyone he meets. Including the reader."

—Geneviève Simon, Lire

About the Author:

Marcus Malte was born in 1967 in Seyne-sur-Mer, a small harbor city in the south of France, along the coast of the Mediterranean Sea. As a child, Malte immersed himself in literature, discovering the novels of John Steinbeck, Albert Cohen, Louis-Ferdinand Céline and Jean Giono. He began writing in elementary school and chose to major in film studies after graduating from high school. At twenty-three, Malte became a projectionist in Seyne-sur-Mer's historical movie theater and soon wrote his first short stories. Later in the 1990s he began reaching broader audience with a series of novels, a couple of hard-boiled detective stories where Malte created the recurrent character of Mister, a jazz pianist.

Marcus Malte's fiction includes Garden of Love, his first...

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    • Library Journal

      March 1, 2019

      A Prix Femina winner, Malte's first book to appear in English opens with a boy carrying his mother to the sea for the view she wanted before death. He's a nameless wild child who doesn't speak, and at first we see him scrambling to survive; she hasn't told her what to do afterward, though she's wisely deposited him near a small town. There he's taken in by man he calls the ogre and his young daughter and learns the ways of other humans. Meanwhile, the Austro-Hungarian Empire annexes Bosnia-Herzegovina, and Europe marches toward the war the boy will join. Malte delivers the boy's story viscerally, moment by moment, in rich, elegantly descriptive language, at the same time effectively showing us the larger picture. The boy is all of us, an innocent thrown into the world. VERDICT Highly recommended.

      Copyright 2019 Library Journal, LLC Used with permission.

    • Kirkus

      January 15, 2019
      A saga of a mute man's lessons in love and combat in World War I-era France.The hero of the first novel by Malte to be translated into English is a waif, a lover, and a soldier. But mostly he's a symbol: His lusty, violent nature is designed to challenge notions of enlightenment in a society that brought us the Marquis de Sade and the Battle of the Somme. We meet him in southern France, of unclear provenance, wandering the countryside after his mother dies. After brief stints being cared for by a farming community and a circus strongman, he crosses paths with Emma, the young and cultured daughter of an esteemed scholar of apples. Cue the forbidden fruit: Though he can't speak, the boy, dubbed Felix by Emma (after Mendelssohn), develops a friendship with his ersatz sister that soon shifts into relentless sexual experimentation. "Is it just me, or is it stifling in here?" Emma's father asks, entering the room after one of their assignations, and it's hard not to feel the same; from forestry to cooking to circuses to churches, practically no metaphor goes unviolated as Malte depicts the pair's eager thrustings. The prose gets no less purple after Felix is called to war and he becomes more deeply sunk into humanity's violent nature. (Or, as Malte puts it, alas: "His cannon heart, his mortar heart.") Malte's satire of bourgeois society and warmongering picks reasonable (if easy) targets, like a callow medical officer who calls war "the highest degree of civilization." But leaving Felix speechless only cedes the floor to Malte's overworked prose and dispiriting portrait of Emma, who's introduced as an intellectual spitfire but degrades into a purveyor of melodramatic love letters. Pacifism and sexual freedom both deserve better.Another reminder that war is hell, in exceedingly florid prose.

      COPYRIGHT(2019) Kirkus Reviews, ALL RIGHTS RESERVED.

    • Booklist

      February 1, 2019
      When the boy leaves behind the crude hut in the South of France, where he had lived in isolation with his now-dead mother, he is 14 years old with no understanding of language or the larger world. It is 1908, and at first he finds a place in a small village, welcomed by a mentally challenged man who buzzes around him to the point of irritation. But the boy has a thirst to become part of civilization, and so begins his journey, which takes him on the road, with a circus performer, to Paris with a woman he loves, and eventually to the battlefield, where his penchant for bladed weapons makes him akin to the Angel of Death. Although he barely speaks, he feels deeply, and his experiences offer a kaleidoscopic view of the shimmering highs and desperate lows of life. Malte's prose, in translation, is transcendent. With its stunning array of characters and meditations on the meaning of life's travails, the boy's story poignantly raises the question of what, exactly, it means to be civilized.(Reprinted with permission of Booklist, copyright 2019, American Library Association.)

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  • English

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